Edward does just that, with little more than a sharp look (sharp for the situation and all the people still crowded up his head) and a motion of his hands.
"There's a way out."
Beat. "Follow me."
To the tune of a conflicted, but concerned and pointed sort of message in his tone of take care of Alice, I've got point.
The door isn't too hard to find, neither is avoiding them once they know they've done what they came to do. Edward can keep them from running into people when he hears them, and Alice's visions keep the both of them appraised of people changing directions or searching.
no subject
"There's a way out."
Beat. "Follow me."
To the tune of a conflicted, but concerned and pointed sort of message in his tone of take care of Alice, I've got point.
The door isn't too hard to find, neither is avoiding them once they know they've done what they came to do. Edward can keep them from running into people when he hears them, and Alice's visions keep the both of them appraised of people changing directions or searching.
But no one will find them.
And no one hears the door close after them.